Name | ONE OASIS
項(xiàng)目名稱 | 廣州中海大境
Area | 890㎡
項(xiàng)目面積 | 890㎡
Location | GuangZhou, China
項(xiàng)目地址 | 中國 廣州
Client | China Overseas Property
開發(fā)單位 | 中海地產(chǎn)
In the revelation of the site, Zhonghai Grand Realm takes “the leisurely posture under the shade of the trees in nature” as the inspiration picture, and then develops the integration expression of the overall architecture, landscape and indoor space, starting from the imagination of a “form of a tree”, and ending with the completion of a “forest residence”. From the imagination of a “tree form” to the completion of a “forest residence”, the design responds to the unique spirit and value of the place in this case with the creation of an ultimate scarcity experience.
在場地的啟示中，中海大境以“自然中，樹蔭下的悠然姿態(tài)”為靈感畫面，發(fā)散整體建筑、景觀與室內(nèi)空間的融合表達(dá)，從一顆“樹的形態(tài)”的暢想開始，到一座“林中森邸”的落成，設(shè)計(jì)以一種極致的稀缺體驗(yàn)的營造，來回應(yīng)本案中場所獨(dú)有的精神與價(jià)值。
The treatment of the space on the first floor is like a free and open plane, through the placement of blocks of boxes, to do spatial thinking.
Here, the presentation of the “glass box” is not solidified as a conventional rectangular framework, but through the control of the rhythm of the space either open or closed, creating interlacing and splicing between boxes and boxes, boxes and open platforms, so as to create a “sense of respiration” for people who are constantly walking through, out and into the place and nature. “Breathing sense”.
一層空間的處理，猶如在一個(gè)自由開放的平面上，通過體塊盒子的安置，做空間的思路梳理。在這里，“玻璃盒子”的呈現(xiàn)，并不固化為一個(gè)常規(guī)的矩形框架，而是通過空間或開或合之中節(jié)奏的控制，制造盒子與盒子、盒子與開闊平臺之間的交錯(cuò)和拼接，從而營造人們在場所之內(nèi)、自然之中不斷穿行、走出又進(jìn)入的“呼吸感”。
The artistic staircase is hidden in the giant structure, as one of the roaming lines connecting the entire three-story building, it becomes an important part of carrying the ultimate artistic expression of Zhonghai Grand Realm.
Here, the designer utilizes the psychology and visual art concept of “map bottom conversion” to integrate the “shape” and “background” in the space, creating an extremely artistic visual expression of the spatial feeling. The designer utilizes the concept of “map bottom conversion” to integrate the “modeling” and “background” in the space, creating an artistic visual experience.
藝術(shù)樓梯隱秘在巨構(gòu)之中，作為連通整個(gè)三層建筑的漫游動(dòng)線之一，成為了承載中海大境極致藝術(shù)表現(xiàn)力的重要一環(huán)。在這里，設(shè)計(jì)師利用“圖底轉(zhuǎn)換”的心理學(xué)與視覺藝術(shù)概念，將空間中的“造型”與“背景”融為了一體，營造了極富藝術(shù)視覺表現(xiàn)力的空間感受。
The second floor space creatively introduces the concept of the functional framework of the “l(fā)arge flat”, with the outward extension of the landscape surface on both sides to completely open up the field of vision, bringing the feeling of unobstructed spaciousness into the internal expression of the space.
二層空間創(chuàng)造性地引入了“大平層”功能框架的概念，配合兩側(cè)景觀面的向外延展完全打開視野，將一覽無余的疏闊感受帶入空間內(nèi)部的表達(dá)中。
